rocala
Well-Known Member
I recently spent some time in Derbyshire, England. It was a time for an activity peculiar (I think) to that county, ‘Well Dressing’. I had never heard of it before so I was given a brief introduction and I did a little research too.
My interest really picked up when I was told that it is ancient and probably pre-Christian in origin. In pagan times it is believed, that wells throughout Britain and Ireland were considered special, perhaps sacred and at certain times they were decorated.
In Derbyshire, this practice has evolved in a particular way. A large wooden frame is filled with clay. An artist makes a design on paper which is laid on top. Then every line of the drawing is perforated with needle pricks. It takes hundreds.
Sections are then peeled off and a particular ingredient is pushed into the clay. Everything used comes from nature. Ours included petals, very small flowers, onion skin, orange peel, charcoal, peppercorns, various seeds, husks, and lichen.
The work was painstaking. Using seeds and charcoal was o.k. but the petals were hard going. The ends or the sides had to be tucked in with a needle, but they tore easily or got soiled by moist clay. I have never concentrated so hard in my life.
I had offered to help out but it quickly became a passion. The hours would fly by and it was deeply satisfying.
The diagram was based on the painting ‘The Hand of God’ by Korean artist Yongsung Kim.
The Hand of God
The finished item is bigger than it looks. It took four people to lift it. The picture was taken from the top of a ladder. I am deeply grateful to the Bamford Quakers for letting me take part.
My interest really picked up when I was told that it is ancient and probably pre-Christian in origin. In pagan times it is believed, that wells throughout Britain and Ireland were considered special, perhaps sacred and at certain times they were decorated.
In Derbyshire, this practice has evolved in a particular way. A large wooden frame is filled with clay. An artist makes a design on paper which is laid on top. Then every line of the drawing is perforated with needle pricks. It takes hundreds.
Sections are then peeled off and a particular ingredient is pushed into the clay. Everything used comes from nature. Ours included petals, very small flowers, onion skin, orange peel, charcoal, peppercorns, various seeds, husks, and lichen.
The work was painstaking. Using seeds and charcoal was o.k. but the petals were hard going. The ends or the sides had to be tucked in with a needle, but they tore easily or got soiled by moist clay. I have never concentrated so hard in my life.
I had offered to help out but it quickly became a passion. The hours would fly by and it was deeply satisfying.
The diagram was based on the painting ‘The Hand of God’ by Korean artist Yongsung Kim.
The Hand of God
The finished item is bigger than it looks. It took four people to lift it. The picture was taken from the top of a ladder. I am deeply grateful to the Bamford Quakers for letting me take part.