Yeah, it was. It was Zeno's Paradox plus "hey look I know about Cantor's transfinite stuff"
I read Infinity and the Mind too. Don't care.
IT HAS NOTHING TO DO WITH ZENO! Zeno's paradoxes concern issues with infinities in general. It has even LESS to do with Cantor's transfinite infinity. Google "measure theory" or something before continuing to spout this nonsense. What I was talking about has more to do with infamous atheist Bertrand Russell's argument about the continuum, with recent work by Gisin and others to reformulate foundation physics in a manner that excludes the continuum artifice of classical physics with something that is consistent with quantum theory and does not by definition preclude the possibility of any measurement, even of any infinite precision, over ever having a non-zero probability of being correct. It has to do with why Tegmark backed of his MUH to some extent in favor of the set of computable universe, with proposals in mathematical physics, cosmology, quantum foundations, etc., to recast physical theories in a mathematical framework that doesn't require beyond infinite accuracy for all physical properties/measurements/dynamics, which physicists such as Wheeler or 't Hooft or others have tried to embrace because they view the presence of the required infinities in classical physics as physically meaningful rather than the computational alternative, and so on.
The universe is highly mathematical anyways. There is more math than "God".
Again, this is akin to saying the universe is highly linguistic. It mistakes the nature of the universe with how we describe it. Most mathematics doesn't describe the universe.
This is my point exactly. This is a discussion about God vs natural.
And the naturalness problem is related to fine-tuning. But here it is an issue of whether or not it is within the bounds of physics and supported by scientific evidence to use the same evidence theists do for god to say that there exist multiple universes, inflation, etc., all to explain away the unnatural appearance of design. You are promoting a set of metaphysical principles and corresponding mathematical structures and would-be theories you appreciate only to the limited sense you get from sensationalist sources in order to claim that the one is a "natural" explanation while the argument for a Creator (which, historically, was the basis for your mathematical laws, mathematical universe, and the emergence of physics) is nothing at all like one. And for many physicists, the popular physics you've been exposed to is about as appealing and as "scientific" as is the claim that "god did it." That's one reason Davies (your prejudices notwithstanding) has objected to multiverse schemes: He doesn't believe "god did it is" is scientific or warranted, but neither is "well the specialness of our universe can be made non-special if we imagine there are huge numbers of universes for which we cannot by definition have any evidence for and never will"
Not a discussion where you pick at every term I use, which is exactly what you are doing. There is a quantum realm and a classical realm.
Providing you understand what this means. In the context of what I said, your assertion would mean that there is a realm in which classical systems exist, rather than that classical descriptions are adequate.
And what constitutes a measurement?
Are you asking me personally? Because unlike cosmology, quantum foundations is probably the area I work on the most and this is perhaps
the outstanding question.
Yes there were some theoretical ways to test for a multiverse depending on what was found at the er. It's been a while since I watched that.
Wrong. I'd cite more sources here, but you apparently can't be bothered to read actual physics literature so why bother? In short, a fundamental feature of there
being a multiverse is causally disconnected "universes" which by definition cannot interact even indirectly in any manner. Thus any "evidence" you may think you have come across is a matter of over-simplification and sensationalism that glosses over the ways in which e.g., fine-tuning and the appearance of design is counted as "evidence."