and I'm not saying white people should be like this and black people should be like that, I'm saying something that was created by people of colour can become more mainstream or popular or "cool" or acceptable, when a white person takes it and uses it. That's what I was saying, I don't know how people got "black people should only market to black audiences from that."
Did you watch the video I posted? "Tootsie Roll" was
wildly popular 20 years ago, and hardly any white people in the video. And Miami bass sounds weren't the first contributions by black artists to be successful in mainstream audiences. '70s funk. '60s Motown. Jazz. Speakeasys.
What I do get is that the contributions to culture isn't
credited often enough to black artists, or that the music and the dancing isn't considered as mainstream as much as it is, or even if it isn't "more genuine" genres of music and dancing. How often do we hear that rap and hip hop isn't considered "real" music, or that "twerking" isn't considered "real" dancing? I hear it, and I hear it a lot. But I assume many would agree that rap, hip hop, and twerking found its roots in black culture.
It's difficult, I think. The genre or hip hop dancing can't find critical legitimacy through black artists, it also can't find critical legitimacy through white artists. It can find popularity, but that creates the kinds of discussions and debates we're having right now. Who can twerk? How should it be done? When should it be done? Is it respectable?
Sorry...I think I'm derailing the thread. LOL. I got a lot to say about "urban" style dancing, and how a lot of professional dancers will embrace it (though they will lack confidence in it), but a lot of audiences turn their noses up at it. All while funneling money into artists who exhibit it. It's wild.