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I merely dabble in poetry but do not consider myself to be a remarkable poet, nor to be a competent critic of poetry (StephenW, by the way, strikes me as among the best readers of poetry I've ever met. He understands the stuff -- even my own stuff -- better than anyone else I've personally known).
Having given fair warning of lack of expertise, I will now attempt to address your kind question.
(1) A willingness to experiment with word is an essential ingredient in composing poetry. I think too many of us might set out to compose a poem, when we should set out to experiment with composing a poem.
When you try to merely compose a poem, you are likely to spend much time and effort second-guessing your choice of words. In turn, that impedes creativity and can even shut it down entirely, resulting in writer's block.
There is a time and place for second-guessing your words. When you edit your poem. But I find you should do only the lightest editing, if at all, when actually composing the poem.
However, by "light editing", I do not mean you should refrain from many changes. Light editing is not a matter of the number of changes you make. You can make a hundred or a thousand changes to you poem as you compose it, and you might still be only lightly editing it. For light editing is when you edit without putting much thought into "how do I come across". It is when you edit without a thought for your audience.
Heavy editing should be done later on, after you have composed your poem, and then only to make the meaning, emotions, and feelings accessible to your audience.
(2) Sing, chant, or simply speak your poem as you compose it. Sing, chant, or speak it aloud. Over and over as you compose it. I think too many of us these days write poems to be read, but we do not write them to be spoken. That is, we compose poetry as if we were composing prose. But we should be composing poetry as if we were composing music.
(3) Compose a poem as if you were ******* someone you loved. When you **** someone you love, you do not think, "This is wrong with her. That is wrong with her.". No, you explore her. You work to shape her emotions, her feelings. You play a symphony or a song upon her body. And in the same manner, you should play a symphony or a song upon word when you compose a poem. Rather that, than sit there criticizing what you are doing with word, or criticizing what word is, or criticizing yourself.
Those three things are the most important (to me at least) bits of advice I can think to give.
It is already a trend, so I don`t wanna feel left out.
Sunstone, describe our relationship in a tenth of a word.
This may express something deeper about the nature of spinning up or spinning down one's mental state in general by how gentle one is with oneself.
It is already a trend, so I don`t wanna feel left out.
Sunstone, describe our relationship in a tenth of a word.
I started a trend
Congratulations. It's not your first trend, nor likely to be your last.
What can I say im a trail blazer
It seems obvious to me that you yourself are an illusion
Arsonist!
Tell me. Why/how are you so damn awesome
You yourself has always been an illusion. Me Myself has always been the ultimate reality after all
My whole world has just come crashing down around me like a house of cards. How could you!
How perceptive of you to notice my awesomeness! Obviously, you have not been talking with my ex-wives.
I'm "so damn awesome" because every morning, after I wake up, I do twelve sets of awesomeness consisting of six reps each. Consequently, my awesomeness is ripped!
[*] I paid my college room and board to study philosophy by working as a fire fighter.
I just always been bad at card games :cover: