In North Bengal, in Paharpur Bihara, the Buddhists still had a strong hold there more than 1000 years ago. This would be about 1000 AD, Christian calendar. There was formed at that time, a semi-secret mysterous sect that, may have been a reaction to the decline of Buddhism and various social enigmas. This sect emerged publically in North Bengal, and taking to public venues and on foot in groups, accompanied by drum instruments, they would parade down the path with arms raise to the sky and chanting mantras of the names of Buddha. But this Buddha was a young teenager. A carving of such parades was found later in China, having been brought there to a Buddhist temple but depicts Indians and India. They had cymbals and drums. They would stop, and jump in a dance.
It is like the Sankirtan of Chaitanya, 500 years before Chaitanya.
So there was a form of Bhakti in Buddhism as well.
But we see something approximate even earlier - in the public parades, chanting, arms raised, and musical instruments, in the devotees and priests of Isis of Egypt (Mother Goddess). They had cymbals. They would stop the parade, and begin to jump in a dance. 2000 years ago or more.
Now here is something interesting. It is said that Chaitanya was the founder, or prophet if you will, of Sankirtan. The public parade, with cymbals and drums, the chanting and singing of the Mahamantra.
But what is interesting is, the very first time Chaitanya did this before his students (he was a teacher in a school in Bengal), he sang the following and prompted his students to join in, and stand, and then parade, chanting in song the following:
Haraye Namaha
Krishna Yadavaya Namaha
Gopala Govinda Rama
Sri Madhu-su-dhana
Hare Krishna Hare Krishna
Krishna Krishna Hare Hare
Hare Rama Hare Rama
Rama Rama Hare Hare
So it is clear, Lord Chaitanya's very first Sankirtana was not an abstract interpretation of the Mahamantra. We see Chaitanya sing (it started as a song then became a chant and then the parade and then the dance) to another - "The Name of Hari, Krishna and Yadava, Cow Protector, Cowherd, Rama! The beautiful slayer of Madhu! Vishnu of Krishna, oh Krishna! Krishna! Vishnu of Rama! oh Rama! Rama!"
So, Sankirtan seems to be a human quality of devotion to a cherished personality that is too strikingly like a human yet a God, that goes way, way back in our being from long ago. Why do the hands raise up? Reaching? To the sky? Humans have been doing this for a long time. They want to hold the hands up - to the sky. When they do this with a song and chant to a Lord, some sort of "electricity" goes through the body down the fingers, arms, shoulders, to the brain, like the electrolytes of drinking water.
Caitanya would start to jump. We see the humans in the parade suddenly dance by jumping.
Up to the sky. Can they jump so high? Can they touch the sky? They say, "I want to go home".
Was our home... in the sky?
Probably.
The earth spins. The sky may be one direction out to space that changes every minute, up it isn't here. Up there. In the space.
Did we come from there?
Who are the captains of our ship?
Bhakti might also be a journey. You leave here to go home. You know it is far away, but you can almost touch the sky if you get on the boat with the sails that catch the wind. The wind traveled a long way already, but where is it's head, and where is it's tail?
Mother, give me food. Where are you? I will leave the nest now. I have never flown before. Now I will leap. To the sky.
Bhakti. Or something like that. Nothing new. Very old. But - very Bengali. (huh?)