Mark was fashioning legitimacy by painting the death as the culmination of prophecy and pointing to the psalm as a proof text. It was not a particularly uncommon narrative technique.
Whenever Mark rewrote a story from the OT, changing a name here and there, that's proof of what?
I ask because:
"This [narrative technique] was, says Spong, "a Jewish way of suggesting that the holy God encountered in Jesus went even beyond the God presence that had been met in Moses, Joshua, Elijah and Elisha. That is the way the midrashic principle worked. Stories about heroes of the Jewish past were heightened and retold again and again about heroes of the present moment, not because those same events actually occurred, but because the reality of God revealed in those moments was like the reality of God known in the past." Other more obvious examples (among the hundreds we encounter in this book) would be Herod's attempt to kill the Christ child through his "slaughter of the innocents", a retelling of Pharaoh's attempt to kill the promised deliverer Moses by slaying the Hebrew first-born in Egypt; or the entry of Jesus, riding a donkey, into Jerusalem on "Palm Sunday", a rendering of the prophet's visionary scene of the Day of the Lord in Zechariah 9:9-11: "Rejoice, daughter of Zion . . . for see, your king is coming to you . . . humble and mounted on an *** . . ." Neither event does Spong believe actually happened in the life of Jesus." http://www.jesuspuzzle.humanists.net/spongrev.htm
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