Political aspects
Prior to the release of '300', Warner Brothers expressed concerns about the political aspects of the film's theme. Snyder relates that "There was a huge sensitivity about East versus West with the studio.... They said, 'Is there any way we could not call [the bad guys] Persians? Would that be cool if we called them Zoroastrians?'."
[75] Media speculation about a possible parallel between the Greek-Persian conflict and current events began in an interview with Snyder that was conducted before the Berlin Film Festival and later published on Wired.com.
[76] The interviewer remarked that "In the film, a tiny bunch of European freedom fighters hold off a huge army of Iranian slaves. Everyone is sure to be translating this into contemporary politics." Snyder replied:
“Someone asked me, "Is George Bush Leonidas or Xerxes?" I said, "That's an awesome question." The fact they asked tells me that this movie can mean one thing to one person and something totally different to another. I clearly didn't mean either. I was just trying to get Frank's book made into a movie.”“That kind of debate is unavoidable right now. I don't live in a cave, but on the other hand, the film's about a 2,000-year-old conflict. People will say, "You made this because we are going to war with Iran." I'll say, "We are? Not if I have anything to do with it."
[77]”At a press junket following a February screening in Los Angeles, Snyder was again asked about the film's political implications. One reporter insisted that Xerxes symbolized
George W. Bush, while a second reporter suggested that Leonidas might represent the American president. At the Berlin screening, Snyder claims that a reporter asked, "Don’t you think it’s interesting that your movie was funded at this point?" Snyder clarifies, "The implication was that funding came from the U.S. government." In general, Snyder has stated that he is pleased by the debate, which he did not, however, intend to provoke.
[76]
Outside of current political parallels, some critics have raised more general questions about the film's ideological orientation. The
New York Post's
Kyle Smith claims that the
300 portrays violence as "war's goal rather than its means," adding that "it isn't a stretch to imagine
Adolf's boys at a
300 screening, heil-fiving each other throughout and then lining up to see it again."
[78] Slate's Dana Stevens writes that "if
300... had been made in
Germany in the mid-1930s, it would be studied today alongside
The Eternal Jew as a textbook example of how
race-baiting fantasy and
nationalist myth can serve as an incitement to total war."
[79] Roger Moore, a critic for the
Orlando Sentinel, suggests that the film has a "
fascist aesthetic," matching it to
Susan Sontag's definition of "fascist art": ""Fascist art glorifies surrender, it exalts mindlessness, it glamourizes death."
[80]
http://en.wikipedia.org/wiki/Anti-Iranianism
http://iranpoliticsclub.net/history/300/
[FONT=Arial, Helvetica, sans-serif]
8000 Years of Iranian History[/FONT]
[FONT=Arial, Helvetica, sans-serif]
With the present US-Iran situation, this will be a great propaganda to warn the world about the threat of the New Persian Shiite Empire (IRI), same as the Old Persian Empire (Achaemenid)! [/FONT]
[FONT=Arial, Helvetica, sans-serif]
Personally I will not spend a dime on garbage like this. I will not go see the movie and I will not even buy or rent it when it comes out on DVD. I just wait till it comes on Cable Movie channels (Encore and such ….), thus this film same as Alexander and other Hollywood spoofs of the past has zero historical credibility and it is an insult to the Superior and dominating Persian Culture (in comparison to Greeks) and surely an insult to Iran and Iranians. [/FONT]