I listen to music that is basically slasher amd snuff flicks in lyric form. The artists though obviously aren't raging psychoti lc serial killers. Marilyn Manson is a wild and fascinating gimmick and stage persona. Brian Warner is about as boring and bland a man as they get. So I don't really see why this would be odd.
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I don’t think that’s really a fair one to one comparison. Much of Mr Warner’s alter ego is about expression. Utilising his medium to portray what he considers a “good art.”
He’s expressed such in interviews saying that he does the things he does out a sense of artistic liberation. That he does not go to such extremes in real life is sort of his entire point. He goes extreme to fulfil an artistic desire, not that he lives like that in real life.
But being part of a band that actively in its artistic creation promotes specific political ideologies, one would reasonably expect the band members share that ideology, even if it’s not as extreme as the finished work. I’m aware that people are multifaceted and that not every project a person signs onto will reflect their beliefs necessarily. Like a Shakespearean trained actor might in real life hold fast to the Anti Stradfordian conspiracy (Shakespeare didn’t write Shakespeare because he was poor and therefore not educated enough to create all the masterpieces to his name.) But it would at least raise an eyebrow or two, surely?
Analysing anything in relation to the cultural zeitgeist can be problematic. This is how things today get banned for racist depictions even though the references are entirely lost on a modern audience. Like a handful of Tom and Jerry and Looney Tunes cartoons. By and large, no one would even know there is even any racism there going on because the references are so obscure, but we know anyways because this cultural zeitgeist allows these racist depictions to be brought up, made contemporary and current, and allows them to live on and breath a new life for a new audience that are now aware of these depictions, rather than just letting them remain buried in the past by obscurity where they belong.
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I don’t know. Academia loves analysing everything. And I’m not really sure that just allowing racist or negative portrayals in the past to remain under wraps would satisfy humans for very long. We are often inquisitive and I don’t think those, especially those of us who grew up with an expectation of information at our fingertips 24/7, would even allow that to happen. I think it is cowardly to just sweep under the rug the cultural expectations and portrayals of the past. Because in doing so you effectively fail to come up with an argument of why those cultural attitudes exist and why they were so harmful. This vagueness is a vulnerability that can be exploited. Recontextualising it to a younger less informed audience and allowing prejudice to thrive again. Of course, I do understand that this method certainly has drawbacks. By opening old wounds and expanding “white guilt.”
But the way I see it, we can’t hide from our past. That’s cowardly. We need to acknowledge it and why it was wrong then and wrong today.
Commissioned art is a reason we must be weary of making assumptions into interpreting art. It is possible, that for all we know, the real reason Da Vinci made such extensive edits to Mona Lisa, and all the enigmatic features of the painting are really just the result of a finicky patron looking for something unusual.
And, of course, what really was the intent behind "For sale: baby shoes, never worn."? It wasn't even actually Hemingway where that originates from.
Or another example would be what people claim is a Nietzschean influence on Ayn Rand, although Rand herself sternly denied this and, if I recall correctly, harshly criticized Nietzsche when she was asked about the similarities between Nietzsche's philosophies and Fountain Head.
Just read your Harry Potter.
Whilst I do agree with that, the solution of “just read your Harry Potter” is intellectually unsatisfying for me.
I like the series and it will always be a part of my reading identity. But I also like looking into the nitty gritty of artistic works. I like having arguments about philosophical approaches to art critiques, I want to know more about the artists I like. I want to explore the myriad of ways that this can all be connected or argued. It’s not enough to just read, I’m curious by nature. It’s just not in me to stop short of just reading/watching/looking at something. I need more. I need to be able to geek out properly.