Gambit
Well-Known Member
First, the argument against creative intelligence:
We once thought that the apparent design we see exhibited in biological organisms (e.g. an eyeball) requires the creativity of divine intelligence. But we now know that this is not true. We need only invoke genetic evolution (random variation of genes and natural selection working in tandem) in order to account for the apparent design.
Likewise, we once thought that the apparent design we see exhibited in human artifacts (e.g. a pocket watch) requires the creativity of human intelligence. But we now know that this is not true. We need only invoke memetic evolution (random variation of memes and natural selection working in tandem) in order to account for the apparent design.
Second, the argument for creative intelligence:
The "argument for creative intelligence" is basically the same argument as the "argument against creative intelligence." The only difference is a matter of perspective.
We now understand how human creativity works in the world. It's works by memetic evolution. Likewise we now understand how divine creativity works in the world. It works by genetic evolution.
There is a direct parallel between the two-stage model of free will and biological evolution.
We once thought that the apparent design we see exhibited in biological organisms (e.g. an eyeball) requires the creativity of divine intelligence. But we now know that this is not true. We need only invoke genetic evolution (random variation of genes and natural selection working in tandem) in order to account for the apparent design.
Likewise, we once thought that the apparent design we see exhibited in human artifacts (e.g. a pocket watch) requires the creativity of human intelligence. But we now know that this is not true. We need only invoke memetic evolution (random variation of memes and natural selection working in tandem) in order to account for the apparent design.
"The whole point about evolutionary theory is that you do not need anyone to direct it, least of all consciously." (source: pg. 239, "The Meme Machine" by Susan Blackmore)
"We once thought that biological design needed a creator, but we now know that natural selection can do all the designing on its own. Similarly, we once thought that human design required a conscious designer inside us, but we now know that memetic selection can do it on its own." (source: pg. 242, "The Meme Machine" by Susan Blackmore)
Second, the argument for creative intelligence:
The "argument for creative intelligence" is basically the same argument as the "argument against creative intelligence." The only difference is a matter of perspective.
We now understand how human creativity works in the world. It's works by memetic evolution. Likewise we now understand how divine creativity works in the world. It works by genetic evolution.
"What the critics of evolution consistently fail to see is that the very indeterminacy they misconstrue as randomness has to be, by any definition, a key feature of the mind of God. Remember there is one (and only one) alternative to unpredictability - and that alternative is strict, predictable determinism. The only alternative to what they describe as randomness would be a nonrandom universe of clockwork mechanisms that would also rule out active intervention by any supreme Deity. Caught between these two alternatives, they fail to see the one more consistent with their religious beliefs is actually the mainstream scientific view linking evolution with quantum reality of the physical sciences." (source: pg. 213 "Finding Darwin's God" by Kenneth R. Miller)
"Fortunately, in scientific terms, if there is a God, He has left Himself plenty of material to work with. To pick just one example, the indeterminate nature of quantum events would allow a clever and subtle God to influence events in ways that are profound, but scientifically undetectable to us. Those events could include the appearance of mutations, the activation of individual neurons in the brain, and even the survival of individual cells and organisms affected by the chance processes of radioactive decay." (source: pg. 241 "Finding Darwin's God" by Kenneth R. Miller)
There is a direct parallel between the two-stage model of free will and biological evolution.
A two-stage model of free will separates the free stage from the will stage.
In the first stage, alternative possibilities for thought and action are generated, in part indeterministically.
In the second stage, an adequately determined will evaluates the options that have been developed.
If, on deliberation, one option for action seems best, it is selected and chosen. If no option seems good enough, and time permitting, the process can return to the further generation of alternative possibilities ("second thoughts") before a final decision.
A two-stage model can explain how an agent could choose to do otherwise in exactly the same circumstances that preceded the first stage of the overall free will process.
(source: Wikipedia: Two-stage model of free will)
Ernst Mayr called biological evolution a "two-step process", in which random variations in the gene pool are followed by law-like natural selection.[1]
Free will is also a two-stage creative process – first random and "free", then a lawful "will". First chance, then choice.
The mind's "two-stage" ability to be creative and free is likely evolved indirectly from Mayr's "two-step" process and then directly from the combination of random and lawlike behavior in the lower animals pointed out by Martin Heisenberg.[2] Free will is therefore not an ad hoc development in humans, as many philosophers (especially theologians) have thought.
(source: Wikipedia: Two-stage model of free will)
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