• Welcome to Religious Forums, a friendly forum to discuss all religions in a friendly surrounding.

    Your voice is missing! You will need to register to get access to the following site features:
    • Reply to discussions and create your own threads.
    • Our modern chat room. No add-ons or extensions required, just login and start chatting!
    • Access to private conversations with other members.

    We hope to see you as a part of our community soon!

Any musicians in the house?

The Wizard

Active Member
So are there any musicians here on RF? If so, what instrument/s do you play, and what kind of music do you play?


I play bass and guitar mainly. I can also play drums (though nothing fancy :D ) and I like to sing on occasion. I have also recently (the last couple of days) aspired to learn to play an old trumpet I had laying around.

I play in a rock band, but I also like to play blues and I dream of some day playing bass in a small jazz group.

So, who else here plays? Id love to start a musicians thread here that we can talk about playing and share stuff.
I'm a solo-artist. I do a little bit of everything along with collaberations with other artists and mixing my own stuff on digital studio. My fave is singing, writing songs and performing... Nice thread...
 

The Wizard

Active Member
I have no idea how to post a recording here, and I don't have a website. If anyone can tell me how I can post an MP3 I'll share a few of my efforts.
All I did was join Looperman.com and Reverbnation (all free) uploaded my stuff and you're furnished with an instant player link of your songs (mp3 file) to post anywhere or send to others. They click and it plays. Quite convienient...
 

DreadFish

Cosmic Vagabond
So, how about jazz? I have always loved it and wanted to really learn it, but I have never really clicked with any of the online lessons. They made sense, but I didnt feel it. Only a few days ago I picked the guitar back up (i've played only bass for a while) and suddenly understood keys without any prompting (I could never really grasp the idea for some reason regardless of how simple it is :D ) and now I am learning the concept of improvisation using arpeggios instead of just scales and suddenly able to understand chord construction much better.

Looks like the creative spirit came back after all these years :D


Anyway, im finally learning the jazz style stuff now, and it's sticking. I've had enough of just doing pentatonic ascending and descending to improvise lol


One step closer to that dream of being in a jazz band :cool: (next I just gotta get an archtop acoustic) Those are pretty cool instruments and look far better than the boring blond and brown flat acoustics IMO. I remember back when I got my first and only acoustic, it was hard to choose because they all looked the same and I didnt really like the way any of them looked :D. Finally got and all blonde Washburn at a pawnshop.


It's probably pretty obvious, but im getting a bit more excited about music again :D
 

DreadFish

Cosmic Vagabond
I'm a solo-artist. I do a little bit of everything along with collaberations with other artists and mixing my own stuff on digital studio. My fave is singing, writing songs and performing... Nice thread...

Nice, i've never really been able to write lyrical songs. Though i've gotten heavily into writing poetry and prose in the past, lyrics have never came. I also dont have any desire to sing my own lyrics (id rather just take someone else's song that resonates with me and sing those :D )

You definitely gotta have something to write good lyrics.
 

DreadFish

Cosmic Vagabond
Classical/jazz piano. Used to perform and accompany for choirs and shows for years. I was accepted by a piano teacher at 12 who was reputed to NEVER take children as students because he didn't have the temperament. But he agreed to take little me, and gave me a polish to my technique, and taught me how to breathe with the phrasing, to let go and be in the moment, to play!

I kept thinking to myself how great a teacher he would be if kids could get past the "well he's so weird" thing. He couldn't sing worth a darn, but he'd hum and close his eyes while he was demonstrating and breathe deeply and sway his body back and forth and forward and backward. I didn't realize how much I did it until a few years later somebody told me how I don't sit still when I play.

Which would irritate the singers a lot. :D

So, I played and performed and was featured in a local paper for how I was gifted with this talent (I was already accompanying adult choirs when I was 10). But, problem was, I loved singing too.....

Had vocal training, established my range at 4 octaves, won awards around the state through school (because I had an accompanist for me those times). I loved singing gospel and any soul hybrid of such though. I loved belting out Whitney Houston and Gladys Knight. I surprised the heck out of some of my friends one night on the town when my babies were babies....they didn't know I sang....and after a glass of wine I got up to sing Celine Dion's "My Heart Will Go On." I was being silly. They asked me if I was signing a label soon.

[/end gloat]

Another problem was that I was becoming more and more serious about dance....

By that time, I was slowly giving up my passions in music and in dance to go to Purdue in the pursuit of an engineering degree. After just a year, I couldn't stay away from the arts without feeling lifeless. So I dropped the engineering degree and went back to dance, but performed in musicals and reviews to keep my edge.

I still from time to time sit down at a piano and start playing an aria - they were my favorite to play, and I'll hear how absolutely rusty I am with each measure, and it still doesn't matter because I'm in the moment, eyes closed, feeling the keys, moving my body to the story the song is telling.

I still sing from time to time for an audience, though my most recent performance has been a while - almost 2 years. But like the piano, I'll sing spontaneously.

And my kids are always embarrassed when I do it. :p

It's real cool when a person is so into music that they just play and create without regard for the outside world lol
 

apophenia

Well-Known Member
So, how about jazz? I have always loved it and wanted to really learn it, but I have never really clicked with any of the online lessons. They made sense, but I didnt feel it. Only a few days ago I picked the guitar back up (i've played only bass for a while) and suddenly understood keys without any prompting (I could never really grasp the idea for some reason regardless of how simple it is :D ) and now I am learning the concept of improvisation using arpeggios instead of just scales and suddenly able to understand chord construction much better.

Looks like the creative spirit came back after all these years :D


Anyway, im finally learning the jazz style stuff now, and it's sticking. I've had enough of just doing pentatonic ascending and descending to improvise lol


One step closer to that dream of being in a jazz band :cool: (next I just gotta get an archtop acoustic) Those are pretty cool instruments and look far better than the boring blond and brown flat acoustics IMO. I remember back when I got my first and only acoustic, it was hard to choose because they all looked the same and I didnt really like the way any of them looked :D. Finally got and all blonde Washburn at a pawnshop.


It's probably pretty obvious, but im getting a bit more excited about music again :D

Now that you grasp how arpeggios are related to scales etc, here are a few suggestions on how to keep it moving along -

Find out about alternative scales to maj/min/blues. There are plenty of sources of that info. Once you find a scale which interests you and excites your ear, work out arpeggios based on it.
Then explore all the modes which that scale implies, and do the same with them.

Just google "joe satriani guitar secrets", get the book and blow your mind. It's a very small book. It contains lots of scales and tips on how to use them, and it also contains lots of precious little nuggets which are easy to digest and incorporate into your playing.

Practice stuff purely to reprogram your fingers muscle memory, patterns which use all your fingers equally, cross strings in new kinds of ways, and challenge your established preferences. These don't have to be musical to your ear, but you will discover all sorts of nice things just from doing that, and at the same time liberate your fingers from habitual patterns.

Sing along with scales and patterns you are practicing to establish an automatic relationship of ears (and thus musical imagination) to fingers.

Take 5 minutes every practice session to attempt to do something unlike anything you have ever done before, whether it is right or left hand technique, or just some style inflection from another dimension.

I think playing an instrument is much more than just music, it is a way to keep greymatter healthy and develop the meta-skill of neuroplasticity, whatever playing level you achieve.
 

DreadFish

Cosmic Vagabond
Now that you grasp how arpeggios are related to scales etc, here are a few suggestions on how to keep it moving along -

Find out about alternative scales to maj/min/blues. There are plenty of sources of that info. Once you find a scale which interests you and excites your ear, work out arpeggios based on it.
Then explore all the modes which that scale implies, and do the same with them.

Just google "joe satriani guitar secrets", get the book and blow your mind. It's a very small book. It contains lots of scales and tips on how to use them, and it also contains lots of precious little nuggets which are easy to digest and incorporate into your playing.

Practice stuff purely to reprogram your fingers muscle memory, patterns which use all your fingers equally, cross strings in new kinds of ways, and challenge your established preferences. These don't have to be musical to your ear, but you will discover all sorts of nice things just from doing that, and at the same time liberate your fingers from habitual patterns.

Sing along with scales and patterns you are practicing to establish an automatic relationship of ears (and thus musical imagination) to fingers.

Take 5 minutes every practice session to attempt to do something unlike anything you have ever done before, whether it is right or left hand technique, or just some style inflection from another dimension.

I think playing an instrument is much more than just music, it is a way to keep greymatter healthy and develop the meta-skill of neuroplasticity, whatever playing level you achieve.

All very good advice, thanks!

Yeah I have noticed that moving beyond familiar patterns greatly opens up creative capacity. Like when picking up a ukelele and not being really sure how the strings are tuned to each other but finding little chord structures and just playing something I never would have come up with on guitar :D

Now I am practicing jazz-style arpeggios for some various 7th chords. Definitely new patterns than im used to.
 

strikeviperMKII

Well-Known Member
Viola is my primary instrument, but I play violin, Cello, Bass, guitar, piano, and of course, the greatest instrument of all...

The radio!

XD
 

apophenia

Well-Known Member
Viola is my primary instrument, but I play violin, Cello, Bass, guitar, piano, and of course, the greatest instrument of all...

The radio!

XD

Viola, yeah ! Violin with balls ! I've often considered buying a baritone electric guitar to explore that region between 6-string and bass. I also play sitar, not classically trained though, I fell in love with the sound when I was young and took some basic lessons from an Indian player, and then I heard surbahar ! Surbahar is to sitar like viola to violin (maybe even cello, the bass strings are very low), it is awesome, with extraordinary sustain and depth. Ustad Imrat Khan is the man to listen to, but listen through serious hifi with the best subwoofer you can find, or you simply won't hear the amazing tones in the bass register.

Here's a youtube of him which I've just found. The audio is not really hifi, though probably good enough to wet your appetite. I suspect recording surbahar really well is as difficult as recording grand piano and doing it justice. If you like this vid, check out a CD from Nimbus Records (NI 5118, released 1988) which is wonderful, with a 48 minute surbahar rendition of Rag Darbari. Recommended !

[youtube]Nti7A4AF5_E[/youtube]
Ustad Imrat Khan ( Surbahar) Yaman Kalyan - YouTube
 
Top