Brendan, please allow me to address that statement in more detail now.
In common usage, the word "mystical" covers any number of different experiences. Yet, as you can see, I have in this thread singled out one -- and only one -- of those many different experiences to focus on. The mystical experience I refer to in this thread is strictly the experience which occurs when subject/object perception abruptly ends while the continuum of experiencing remains.
Of course, that
too is an interpretation - an "aftertaste" if you will. But I think you say as much later in your post.
Is it possible through rigorous practice to make transcendence of the "subject/object divide" as habitual as recognizing it? Or is mystical experience always a reflection of the habitualization of things experienced?
By "habitualization" I mean something along the lines of what Viktor Shklovsky describes:
As perception becomes habitual, it becomes automatic . . . in this process, ideally realized in algebra, things are replaced by symbols . . . Habitualization devours works, clothes, furniture, one's wife, and the fear of war.
So mysticism
might be described as peeking beyond the thingliness of symbolic reality, perhaps. Sort of like the sun shining in through a crack in our prison cell wall. We want to imagine what the sun looks like, but we can only feel and see ever so slightly the few rays that penetrate the darkness of the symbolic prison the self builds for its protection. Those walls create the distinctions between "subject" and "object" and "me" and "you", but they also disrupt perfect communication, manifest in a hysteria about non-being, and by limiting the experience of the Divine, help facilitate fantasies about "the Cause" of that little bit of glowing warmth we can experience in our conscious awareness.
And, of the many other experiences, some actually seem to be hindrances to enlightenment, and still others I cannot make a reasonable guess about.
This is the trap of art, and the reason I asked about the mode of "teaching" to someone who is not presently equipped to embrace any sort of mysticism that isn't carefully bounded by symbols and dogma. As the philosopher-poet Novalis wrote about Romanticism: "It makes the strange familiar and the familiar strange." I think that's the nature of all art (including the art of creative mythmaking, from which all the Gods and demons are born). But having made the familiar strange, it can quite quickly become the familiar again. So the idea of "conversion" experiences, touchstones of a new reality like "being born again", and "being" of a certain religious system are a renewed habitualization of reality. And perhaps one in which the filters to recognize the role of perspective and symbolic language play in then reality I experience are deliberately disabled.
Is there a means to habitually live unhabitually? Put another way, how can one live artisitically? It seems like the way to enter into artistic expressions of the Divine is to be a creator of artistic expressions of the Divine for one's self. But onotological faiths - symbolic systems that point outward for their meaning instead of inward (and I include much more than what generally is recognized as "religion" in that) generally have strict prohibitions on living artistically. Yet each of these systems (including the ones that fall under the category of "science") have their birth in the creative, artistic realities of visionary mystics, living artistically, and at least somewhat unbounded by the symbolic systems they've been given.
Instead of "being born again" as an historical event in one's narrative, can one engage in the process of continual re-birth?
Now to return, let me suggest that accompanying the end to subject/object perception is an end to conscious awareness. One hallmark of conscious awareness is that pesky perception of a divide between subject and object. So, when that perception ceases, so does anything I am willing to call "conscious awareness". That's to say, an awareness remains, but it is no longer conscious awareness.
Is that necessary, or can one remain in a state of self/no-self having a conscious awareness, but at the same time not vesting it with a "absolute" reality and thereby remaining attuned to hear the many notes in the song of life - letting them drift into and out of one's conscious awareness as one listens to a symphony?
I'll have more follow up questions in a while. But here's a little more from Shklovsky's "Art as Technique":
Art exists that one may recover the sensation of life, it exists to make one feel things, to make the stone stony. The purpose of art is to impart the sensation of things as they are perceived and not as they are known. The technique of art is to make objects 'unfamiliar', to make forms difficult, to increase the difficulty and length of perception because the process of perception is an aesthetic end in itself and must be prolonged . . . Art removes objects from the automatism of perception.
Thanks.