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There are some rare commentaries on yt in english which are close to perfect in srivaishnavam concepts...The stories of Lord Vishnu were told to me through the Krishna TV serial. So I only know of them through that lens. However they were all enchanting (though without subtitles I wasn't always certain what was happening) and as such I have a high reverence of Lord Vishnu and his many miracles.
Hmm.."abandon all religions" is blatantly wrong lol..that is why i dont depend on stupid english translations and internet and wikicrap...this quote was their feeble attempt to interpret the last verse of bg..the charama slokam meaning can fit in approx 600 pages and still we cannot completely understand it.See what is right, ignore what is wrong.
Thank you, I shall seek them out.There are some rare commentaries on yt in english which are close to perfect in srivaishnavam concepts...
Great post...Astakshari is the only mantra which has OM naturally formed into it...I think dwadasaakshari has also OM appended to it....Hence astakshari is the most powerful mantra which should noy be uttered without an acharya initiation...The whole Vedas are in astakshari that is its power...ॐkāra is considered the bīja of all the 27000 sacred mantras and manifests within the creation controlling jāgrat, svapna, suṣupti, and turīya as akāra, ukāra, makāra, and nāda beyond which there are four more states. Akāra-vācya is Kṛṣṇa, ukāra-vācya is Rāma, makāra-vācya is Nṛsiṅha and Ādivarāha is nāda-pratipādya. Omkāra respresents guṇapūrṇatva of Nārāyaṇa and since among all vaidika deities only Nārāyaṇa is the true possessor of all of infinite kalyāṇa guṇas, omkāra primarily connotes/denotes Nārāyaṇa alone.
This is also the reason why only Vaiṣṇava mantras - aṣṭākṣara and dvādaśākṣara - have omkāra as a part of the mantras itself, whereas all other mantras have to be meditated by appending omkāra, in order to first induce vaiṣṇavatva into the mantra and then be used for various purposes.
Amongst the jāgratādi states, each state has a specific form of which the viśva form controls the jāgrat state and has 19 faces with the one in the middle being that of an elephant. It is because of worshipping this form of Nārāyaṇa that Vināyaka becomes Gajamukha*. Since the rūpa is the first of the four, Vināyaka is worshipped first before beginning any other activity. Knowing this itself destroys all obstacles in one’s life and Gaṇeśa’s worship performed with this knowledge yields quicker results, viz., nigraha of one’s senses, sharp intellect to understand vaidika wisdom, steadfastness in one’s purpose (towards mokṣa sādhana).
*The popular story of Śiva beheading Vināyaka born from the mud adorning Pārvati’s body is symbolic, the significance of which can be learned from a knowledgeable guru.
Obeisances to Pārvatī-Parameśvara-tanaya Gaṇapatyantargata Viśvaṁbhara rūpī Nārāyaṇa.
{Sources: Upaniṣats and pāńcarātras}
नारायणायेतिसमर्पयामि ।
Pranam everyone, i am reviving this thread to share the transcendental form of Lord Visnu
When one's thinking by the practice of yoga is purified and controlled, one should looking at the tip of one's nose meditate upon the Supreme Lord's form and measure of time. With His club, conch and discus in His hands, with ruddy eyes resembling the interior of a lotus and a dark complexion like the petals of a blue lotus, He has a cheerful lotuslike countenance. Clad in silk garments as yellow as the filaments of a lotus, He has the mark of Srîvatsa on His chest and wears the brilliant Kaustubha jewel around His neck. There is a garland of forest flowers humming with intoxicated bees, a priceless necklace and also bracelets, a crown, armlets, anklets and a girdle of the finest quality around His waist. He who has His seat in the lotus of the heart is most charming to behold, a feast to the eyes with a serenity which gladdens the mind and the heart. He is always very beautiful to see, worshipable for all people of all places, as youthful as a boy and eager to bestow His blessings upon those who serve Him. His fame adding to the repute of the devotees is worth singing. One should meditate on the godhead and all His limbs until one's mind stops wandering. One should visualize the beneficial acts of the beautiful pastimes of Him standing, moving, sitting and lying down or dwelling in the heart. The one contemplating should, when he with his mind fixed on the one form distinguishes all His limbs, in his concentration attend to each and every part of the Lord separately. One should meditate on the lotus feet of the Lord that are adorned with the marks of the thunderbolt, the goad, the banner and the lotus, as also on the prominence of the brilliant red nails with the splendor of the crescent moon which dispel the thick darkness of the heart. One should meditate on the Lord's lotus feet for a long time for the holy water of the Ganges that washed down from His feet blessed Lord Siva who bore it on his head. They became a thunderbolt that was hurled at the mountain of sin present in the mind of the meditator.
In relation to His knees one should meditate on the Goddess of Fortune, Lakshmî, the lotus-eyed mother of the entire universe that was created by Brahmâ. She who with her caring fingers massages the lower legs of the Almighty Lord transcendental to material existence, is worshiped by all the God-conscious ones. One has to meditate on His two beautiful legs standing on the shoulders of Garuda which, extending down with the luster of the [whitish blue] linseed flower, are the storehouse of all energy. One should also meditate on His round hips in the exquisite yellow cloth that are encircled by the girdle. Next one meditates on the expanse of His navel, which is the foundation of all the worlds situated in His abdomen. From that navel the lotus, the residence of the self-born one [Lord Brahmâ], sprang up containing all the planetary systems. One should meditate on the two most delicate nipples of the Lord that are like emeralds in the whitish light of the pearls from His necklace. The chest of the Lord of Wisdom which is the abode of Mahâ-Lakshmî, bestows on the minds and eyes of persons all the transcendental pleasure. One should also direct one's mind to meditate on the neck of the One who is adored throughout the universe which enhances the beauty of the Kaustubha jewel. On His arms, from which the controllers of the universe originated and of which the ornaments were polished by the revolving of Mount Mandara, one should also meditate, as also on the dazzling luster of the Sudarshana discus [with its thousand spokes] and the swanlike conch in the lotus hand of the Lord. One should remember the Supreme Lord's mace that is named Kaumodakî and is very dear to Him, smeared as it is with the bloodstains of the soldiers of the enemy. And also attention should be paid to the garland humming with the sound of the bumblebees around it and the necklace of pearls about His neck which represents the principle of the pure living entity. One should meditate on the lotuslike countenance of the Supreme Lord who assumed His different forms in this world out of compassion for the devotees and on His glittering alligator-shaped earrings that oscillating crystal clear illumine His prominent nose and His cheeks. Then one should attentively meditate in one's mind's eye the elegance of His face adorned with an abundance of curly hair and His lotus eyes and dancing eyebrows that would put to shame a lotus surrounded by bees and a pair of swimming fish. He who has a heart full of devotion for long should meditate upon the frequent, compassionate glances of His eyes, for these glances that are accompanied by the abundance of His graceful, loving smiles, soothe the three fearful agonies [as caused by oneself, by others and by material nature]. The most benevolent smile of the Lord that dries up the ocean of tears of all persons who in their grief bowed before Him must be meditated as also His arched eyebrows that by His internal, creative potency were manifested to bewilder the god of sexuality for the sake of all sages. Easy to meditate is the generous laughter of His lips that reveals the splendor of His small teeth that are like a row of jasmine buds. With devotion steeped in love for Him fixing one's mind and not wishing to see anyone else, one should meditate upon Him, Lord Vishnu who resides in the core of one's heart.
Because of the pure love one thus through devotion has developed towards Hari, the Supreme Lord, one's heart melts and therefrom one constantly experiences that one's hairs stand on end out of extreme joy and that there is a flow of tears out of intense love. In that state the mind like [a fish] on a hook gradually gives up. The moment the mind is in the liberated position, it immediately turns indifferent and dies away with one's detachment from the sense objects. The person of such a mind at that time like a flame is no longer separated and experiences oneness being freed from the flow of the operating modes of nature.
Jai jai, this infalliable Lord with curly locks...
I'm glad you like it Nitai-das! When i first read this chapter, i felt so blissful, i couldn't help but smile, it so beautifully describes His Ranganatha form, i was so attracted by these words i bookmarked the chapter immediately! Oh Hari Hari!This is so so beautiful!! Thank you so much Tereseji. Imagine, even those are atma ramas (satisfied by the Self), are still attracted to the qualities of Lord Hari!