I'm making this a separate post because it speaks to something a little different:
All this means to me is that people create stories and call them truth.
People create stories to express a truth as they see it. They become the truth to others when the story speaks to that truth that they hear in themselves as well. In other words, they realate something in themselves to the story, thus making it a "truth".
This is not to excuse away disinformation, calling lies facts. Those are political truths, where they repeat lies, or spin or distort information to program it into someone's brain where it becomes reality or truth for them. All that is simply an exploitation of what our brains naturally do in forming our ideas of truth and reality.
All of this, all of what we see as truth and reality is highly mailable. It is anything but hard and fixed, even though we trying to defend against disinformation by pointing to fixed points. I don't malign that at all. I believe we need to have some hold or grasp on reality in order to function and not fly apart at the seams, when disinformation houses like Fox News programs the mind to accept pure fabrications born out of political lies, to be the truth.
But the fact that is happening, proves my point about the mailability of the mind and it's perceptions of truth. To me, that anchor needs deeper tap roots than just facts and data, as powerful as those are. But that is getting way far ahead of this discussion.
The myths have no meaning to me - none of them - except as I've explained: first attempts at explaining observed reality later shown to be incorrect, now called deep meaningful, truth-impregnated insights.
That could be why you don't see any meaning in them, because you assume they're just bad information about natural history.
For me, if you remove that expectation, that that's all they were doing, clumsily trying to figure stuff out and how it works, and approach more as a creative expression of their thoughts and feelings about their reality, more like writing a piece of music or a poem, then the meaning begins to reveal itself better.
I think I may be at an advantage as someone who writes music as an artistic expression. While I'm not a poet, I understand the underlying impulse behind the art, to emote, to attempt to paint or portray a deep meaning in form. The words aren't just information and data about things. They are expressions of existential impulses. They are "inspired", in the sense as welling up from a place within ourselves that words as mere descriptors cannot express or convey. It's using the medium of language for commerce, to try to express a vision of the human spirit, or soul, or whatever poetic word captures that ineffable quality of being within us.
Some people just do get poetry for this meaning. "Well, just tell me what it means". And that's fine. That's just a difference in temperment. But when you do resonate at those frequencies, so to speak, then such things speak to you, you "hear" them. It is really a matter of temperament, I believe, or life experiences that open us to that part of ourselves, such as deep loss or trauma of some sort or another.
Where is the deep truth in the flood myth or the tower of Babel myth? There is none. They're just wrong guesses for why marine fossils are found on the highest mountaintops and why people speak languages that others cannot understand.
This is making my point above about the intent of the stories being assumed to be about explaining natural phenomena as a matter of a type of primitive scientific inquiry that just makes bad guesses at an explanation. I don't see that at all as their underlying motivation. I don't believe they were trying to explain natural phenomena using gods in place of empiricism.
As far as the deeper meanings of such things, well, that's up the reader. That's what makes for the best mythologies. They lend themselves to reinvionsing deeper truths to them. Contrast that to just stating raw facts. That's it's meaning, and there is no other meaning. That's just information. But stories inspiring creative imagination, which leads to deeper understandings and deeper truth to emerge from within the individual. It's about opening us up, not telling us what something means and leave it at that.
Where's the truth or wisdom in either of those stories? Please give me a truth and explain why you use that word there? The tower story implies that man should not have digital translators or communications satellites, both thwarting God's apparent intent. Shouldn't this god be swatting these satellites out of orbit like it destroyed that tower? It confounds me that people elevate these stories to something more than early attempts at explaining reality that got it wrong.
I don't have tons of thoughts about those myths off the top of my head, but that doesn't mean I couldn't find them there. I'm personally more fond of the myth of the fall in the Garden of Adam and Eve. I find there is tons of meaning in there I could expound upon. I draw from it all the time to speak about the condition of the human existential angst.
But I find it absolutely unnecessary, to imagine it is historically factual. That would create far more a distraction from the deeper truths the story can expose when read as
a story about us.
Most people were simple and childlike in their thinking just as many still are today.
If that were true, then how do you explain the developments and innovations that they created? My point is, our intelligence wasn't less. We weren't irrational morons chewing on our fists because we didn't know how to grow food in the fields.
All I am saying is that the context of reality placed limits on how that thinking could expand and grow into. It was a simpler reality. "When I was a child, I thought as a child". That doesn't mean I was an idiot. Our reality was simply 'smaller', and less inclusive.
They are more concrete and more gullible than adults.
Concrete, yes. This goes to the developmental research of Piggate and the concrete operational stage. Yes, that is what I'm talking about with the mythic structures of consciousness. We cannot ignore or overlook these as primary factors in how we perceive and translate and talk about reality with.
Piaget's 4 Stages of Cognitive Development Explained
It's simply not credible that such people who didn't know where the rain came from were mostly sophisticated thinkers able to recognize when a myth is not correct.
They would be sophisticated thinkers within the context of their worldview. Thinking outside that box, is a leap up to another stage of development, or another structure of consciousness. Those people who did do that, typically were viewed as either insane, or demonic or something.
Think of these things in terms of horizontal and vertical directions. Sophisticated thinking is like rearranging on the furniture on a single floor to be more effective for use. Leaps into entire other floors that no one thinks about or are even aware exists yet, is that leap into an upper story. That's what leads the way to evolving those who only are aware of the 2nd floor reality, to realize that there is another floor at a higher altitude than where they are seeing the world out of its window at. The higher floor, gives a higher perspective. That's the difference here between a mythic structure, and a rational structure. They aren't just rearranging the furniture.
It's a different floor. A different view of reality.
Sorry, but this also means nothing to me. What isn't truth by this reckoning?
I'll try to expound on this later at some point.