But mastery of technique is important, don’t you think? It may not be the primary function of art, but it is a criteria we can use to objectively assess one aspect of an artist’s ability.
Technique is a tool. Is one sculpture better than another because someone used a hammer to make it? What makes the sculpture "good" is using the hammer when the use of a hammer adds to the clarity and content of the artwork. If it does not, then the artist needs to know NOT to use the hammer. There are many "folk artists" that have very poor technical skills and yet make very powerful and meaningful works of art.
John Constable spent hours staring at clouds, and even more hours painting only clouds. Some of his cloud studies are on display at the Royal Academy of Art in Piccadilly, I think, of it might be the Tate Britain. Of course, they were only studies, never presented as works of art in their own right. But we can see from them, his extraordinary powers both of representation and observation - after all, it’s hard to imagine tougher technical challenge than capturing in oils, a convincing image of something that is never still for a moment. Those studies are enough to mark Constable, for me, as a great artist; though these days, it’s not fashionable to call him that.
You have been mesmerized by his technical skill. And that's fine. I feel the same way when I see a Malcolm Morley painting. But that is not what defines Malcolm Morley's paintings as art. And I'm always a bit puzzled by the fact that people want to fight against this assertion when I pose it. They really want art to be just whatever they like, or what they can't do, themselves, or what fascinates them.
That’s my point about the invention of the camera; it freed the visual artist from the burden of mastering a particular craft, but in not acquiring that craft, something may perhaps be lost; and while craftsmanship may not be the same thing as artistry, they are certainly close fellows.
I think it freed up the artists to focus on
the art, instead of the craft of visual representation. Nothing was lost because no one has banned visual representation form art. But something great was gained, in that art no longer had to be tied to a skill set.
One of my favorite current artists is Jeff Koons, and he has no technical skills at all. He doesn't actually make, anything. He hires his artworks made by others. But his doing so becomes a part of his art, and a part of his 'message'.
This is his sculpture of Micheal Jackson with his pet, Bubbles. It is the largest piece of cast porcelain in the world (life size), and it's considered an amazing technical feat achieved by two brothers in Italy (extraordinary porcelain craftsmen). It is in every way absurdly 'over the top', which was Koons' intent. And it stands as a commentary on modern culture, modern art, and especially on the modern art 'world' of huge prices and absurd elitism. Koons, himself, never laid a hand on it. Yet it is truly a modern masterpiece that only he could have conceived and created.