gsa
Well-Known Member
Eugene Volokh has an interesting post up about Garry Trudeau, creator of Doonsbury, criticizing Charlie Hebdo last Friday for attacking a "powerless, disenfranchised minority," namely the religion of Islam in an article titled "The Abuse of Satire." From that article:
Traditionally, satire has comforted the afflicted while afflicting the comfortable. Satire punches up, against authority of all kinds, the little guy against the powerful. Great French satirists like Molière and Daumier always punched up, holding up the self-satisfied and hypocritical to ridicule. Ridiculing the non-privileged is almost never funny—it’s just mean.
By punching downward, by attacking a powerless, disenfranchised minority with crude, vulgar drawings closer to graffiti than cartoons, Charlie wandered into the realm of hate speech, which in France is only illegal if it directly incites violence. Well, voila—the 7 million copies that were published following the killings did exactly that, triggering violent protests across the Muslim world, including one in Niger, in which ten people died. Meanwhile, the French government kept busy rounding up and arresting over 100 Muslims who had foolishly used their freedom of speech to express their support of the attacks.
This is an interesting position that appears to be inconsistent with rampant criticism of Mormonism and Scientology, to name two religious minority groups that endure a level of criticism that is certainly disproportionate to their demographic positions within the United States, to say nothing of the West generally. Islam, by contrast, is a religion with nearly 2 billion adherents, second in absolute numbers only to the oft-parodied, oft-criticized Abrahamic cousin of Christianity. Yet Mormons and Scientologists do not generally behave as savages when their doctrines are subjected to merciless parody.
Could one imagine, for example, what would happen if a parody of the life of the prophet of Islam was staged in Manhattan as a major broadway show? Is it fair to say that the death threats would kill attendance before jihadists had a chance to kill the audience?
Traditionally, satire has comforted the afflicted while afflicting the comfortable. Satire punches up, against authority of all kinds, the little guy against the powerful. Great French satirists like Molière and Daumier always punched up, holding up the self-satisfied and hypocritical to ridicule. Ridiculing the non-privileged is almost never funny—it’s just mean.
By punching downward, by attacking a powerless, disenfranchised minority with crude, vulgar drawings closer to graffiti than cartoons, Charlie wandered into the realm of hate speech, which in France is only illegal if it directly incites violence. Well, voila—the 7 million copies that were published following the killings did exactly that, triggering violent protests across the Muslim world, including one in Niger, in which ten people died. Meanwhile, the French government kept busy rounding up and arresting over 100 Muslims who had foolishly used their freedom of speech to express their support of the attacks.
This is an interesting position that appears to be inconsistent with rampant criticism of Mormonism and Scientology, to name two religious minority groups that endure a level of criticism that is certainly disproportionate to their demographic positions within the United States, to say nothing of the West generally. Islam, by contrast, is a religion with nearly 2 billion adherents, second in absolute numbers only to the oft-parodied, oft-criticized Abrahamic cousin of Christianity. Yet Mormons and Scientologists do not generally behave as savages when their doctrines are subjected to merciless parody.
Could one imagine, for example, what would happen if a parody of the life of the prophet of Islam was staged in Manhattan as a major broadway show? Is it fair to say that the death threats would kill attendance before jihadists had a chance to kill the audience?