Waking Sleep
The third state of consciousness is experienced when man awakens from physical sleep and plunges at once into the condition called "identification." Identification is the essence of the third state of consciousness. In this state, man has no separate awareness. He is lost in whatever he happens to be doing, feeling, thinking. Because he is lost, immersed, not present in himself, this condition, the third state of consciousness, is referred to in the Gurdjieffian system as the state of "waking sleep." Man in this state is described not as the real man but as a machine, without inner unity, real will or permanent I, acted upon and manipulated by external forces as a puppet is activated by the puppeteer.
For many people, this concept of waking sleep makes no sense at all. They firmly maintain that, once they "wake up," they are responsible beings,
masters of themselves, fully conscious, and that anyone who tells them that they are not is a fool or a liar. It is almost impossible to convince such
people that they are deceiving themselves because, when a man is told that he is not really conscious, a mechanism is activated within him which awakens him for a moment. He replies, indignantly, "But I am fully conscious," and because of this "trick of Nature" as Ouspensky used to call it, he does become conscious for a moment. He moves from the third room to the threshold of the fourth room, answers the challenge, and at once goes to sleep again, firmly convinced that he is a fully awakened being.
So, in the Myth of the Mad King, it makes no difference how often the king's ministers tell him that he is living in the cellar instead of his palace. He will reply, and really believe his reply, that the cellar is his palace and that they are the mad ones for suggesting that it is not.
It was exactly this reaction that Plato described in his account of the prisoners in the cave (which is actually a variant of the Myth of the Mad King). Suppose, says Plato in his Republic (Loeb edition), that one of the prisoners in the cave, whose only impression of reality is derived from watching shadows on the walls, escapes into the world outside. Suppose he is of an altruistic disposition and returns to tell the other prisoners of the bright and varied world that lies beyond their prison. Suppose he announces that all things they have ever seen are merely shadows. Will they welcome that message? Not likely!
There will certainly be laughter at his expense and it will be said that the only result of his escapade up there is that he has come back with his eyesight ruined. Moral: it's a fool's game even to make the attempt to go up aloft; and as for the busybody who goes in for all the liberating and translating to higher spheres, if ever we have a chance to catch and kill him we will certainly take it. The fact is that man in the third state of consciousness is in a situation from which it is hard to escape. He does not recognize the state as waking sleep, does not understand the meaning of identification? If anyone tells him that he is not fully conscious, he replies that he is conscious and, by the "trick of Nature," becomes conscious for a moment. He is like a man surrounded by distorting mirrors which offer him an image of himself that in no way corresponds to reality. If he is fat, they tell him he is slender. If he is old, they tell him he is young. He is very happy to believe the mirrors for they save him from that hardest of all tasks, the struggle to know himself as he-really is.
Furthermore, this sleeping man is surrounded by other sleeping people and the whole culture in which he lives serves to perpetuate that state of sleep. Its ethics, morality, value systems are all based on the idea that it is lawful and desirable for man to spend his life in the third room rather than in a struggle to enter the fourth. Teachings that exhort men to awaken, to adopt a system of values based on levels of being rather than material possessions are distrusted. Theoretically, in the United States at least, what are loosely called "spiritual values" are accepted as valid, but practically they do not carry much weight.
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The Master Game, by Arthur deRopp